Baudelaire Self-Portrait

Flowers of Evil

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Le Guignon

Pour soulever un poids si lourd,
Sisyphe, il faudrait ton courage!
Bien qu'on ait du coeur à l'ouvrage,
L'Art est long et le Temps est court.

Loin des sépultures célèbres,
Vers un cimetière isolé,
Mon coeur, comme un tambour voilé,
Va battant des marches funèbres.

— Maint joyau dort enseveli
Dans les ténèbres et l'oubli,
Bien loin des pioches et des sondes;

Mainte fleur épanche à regret
Son parfum doux comme un secret
Dans les solitudes profondes.

— Charles Baudelaire


Evil Fate

To lift a weight so heavy,
Would take your courage, Sisyphus!
Although one's heart is in the work,
Art is long and Time is short.

Far from famous sepulchers
Toward a lonely cemetery
My heart, like muffled drums,
Goes beating funeral marches.

Many a jewel lies buried
In darkness and oblivion,
Far, far away from picks and drills;

Many a flower regretfully
Exhales perfume soft as secrets
In a profound solitude.

— William Aggeler, The Flowers of Evil (Fresno, CA: Academy Library Guild, 1954)


III Luck

So huge a burden to support
Your courage, Sisyphus, would ask;
Well though my heart attacks its task,
Yet Art is long and Time is short.

Far from the famed memorial arch
Towards a lonely grave I come.
My heart in its funereal march
Goes beating like a muffled drum.

— Yet many a gem lies hidden still
Of whom no pick-axe, spade, or drill
The lonely secrecy invades;

And many a flower, to heal regret,
Pours forth its fragrant secret yet
Amidst the solitary shades.

— Roy Campbell, Poems of Baudelaire (New York: Pantheon Books, 1952)


Ill-Starred

A man would needs be brave and strong
As Sisyphus, for such a task!
It is not greater zeal I ask —
But life is brief, and art is long.

To a forsaken mound of clay
Where no admirers ever come,
My heart, like an invisible drum,
Goes beating a dead march all day.

Many a jewel of untold worth
Lies slumbering at the core of earth,
In darkness and oblivion drowned;

Many a flower has bloomed and spent
The secret of its passionate scent
Upon the wilderness profound.

— George Dillon, Flowers of Evil (NY: Harper and Brothers, 1936)